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A Day in the Life of a Film Director

鈥淲hat I really want to do is direct.鈥� If this applies to you, read on. Directors turn a script into a movie; they are responsible for the quality of the final product and its success. In most cases, directors work on films far longer than any actor, technician, or editor, from the first day of brainstorming to the final release; it is no wonder that directing is physically,mentally, and emotionally draining. Directors work with actors; makeup artists; cinematographers; writers; and film, sound, and lighting technicians. They determine all the particulars of how scenes are to be shot, from visual requirements to the placement of the actors and the appropriateness of the script. Directors cast actors who can bring their vision to the screen. Sound judgment and an open mind are important during these initial phases. A director guides actors to a greater understanding of their characters鈥� motivations and encourages them to perform at a high level鈥攕ometimes by gently cajoling and sometimes by yelling鈥攁nything to get the job done. A director鈥檚 unique vision of the final product and ability to communicate that vision effectively and immediately are critical. After the film has been shot, editorial skills are important. Directors must have a good feel for pacing and structure and must know how to integrate and cut scenes so they work effectively. Issues of finance are important in this industry鈥攎aking films is expensive. First-time directors find it difficult to get work with any large-budget house, so many of them start with small-budget directing, using existing sites and sets creatively, convincing technical assistants to work for little (or more often, convincing friends to work free), and using editing and cutting rooms during off hours to save money. One director surveyed funded his first film entirely on his credit cards.

Paying Your Dues

Nearly all film directors are film school graduates. Film school students must complete their own short films by graduation; you should be prepared to work under difficult conditions, share space, and convince actors to work for little or no money. Aspiring film directors prove themselves by directing stage productions, doing film lighting design, or establishing a history of assistant or associate directorships. This last route is the most common, as professional experience and networking contacts can be combined in a brief but intense period of time. There is no specific ladder to climb. Many aspiring directors develop clips of their work as a display of their talent when applying for industrial, television, or commercial directing jobs, which pay well and serve as working credentials. Individuals entering this career should be warned that 20-hour days are not unusual.

Present and Future

Film directors sprang into being with the birth of the industry in the early 1900s. Some important directors who have brought their visions to light include D. W. Griffith ( Birth of a Nation), Orson Welles ( Citizen Kane), Alfred Hitchcock ( Rope), and Martin Scorsese ( Raging Bull). Directing will either become larger and more megalithic as a profession, as suggested by the consolidation of major film companies. Alternatively, it may lean toward small and independent projects, as the popularity of such independent film festivals as Sundance heralds. In the first event, directing possibilities will be limited and difficult鈥攅xtremely difficult鈥攖o obtain. In the second event, directing positions will be more available but much less remunerative. In either case, the road to becoming a director is long, and the odds are slim, but the rewards for individuals who succeed are great.

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Quality of Life

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