A Day in the Life of a Comedian
Comedians get a thrill from making people laugh. A comedian develops a unique style,
skill, and body of work as an entertainer. Most noncomedians are only familiar with
comic superstars, such as Steve Martin, Jim Carrey, Robin Williams,Whoopi Goldberg, and
Jerry Seinfeld, to name a few. Most of the comedians we surveyed mentioned these visible
successes as partially responsible for their staying in the profession, however unlikely a similar
meteoric rise may be. Most of the surveys received from comedians were distinctly
unfunny in their responses to our questions about how they live day to day. 鈥淓verybody in the
world thinks they鈥檙e funny. It鈥檚 just that I鈥檓 crazy enough to bet on [my
prospects as a comedian],鈥 wrote one professional comedian from
Denver who quit his job as a salesman to pursue a full-time career in
comedy. A comedian works long hours for little (if any) pay and endures enormous uncertainty,
never knowing where the next paycheck will be coming from. The average stand-up
comedian earns around $50 for two 20-minute sets at a comedy club. While this translates
into a solid hourly wage, a new comedian may do four sets per week, with the rest of the time
spent writing material, watching other comedians, and keeping an additional job to pay the
rent. A successful comedian must be quick-witted, able to think on his or her feet, dedicated,
and lucky. A great deal of self-confidence is required if one is to last over two years in this
profession (and over half don鈥檛), since failure, disappointment, and rejection are standard.
Comedy troupes develop, perform, and publicize their own material. Most of the
members maintain freelance or day jobs that allow them to pursue this career. They usually
schedule a weekly show, bracketed around rehearsals and workshops where they critique one
another鈥檚 sketches and performances. Because attendees will not return to see the same material,
it is a highly pressured large-output environment. A troupe comedian must adapt to
peers鈥 comments and take criticism well. The ability to work with others is critical to success
in comedy groups. The troupes are often formed in major urban centers where actors and
comedians congregate due to the larger opportunity for work.
Solo comedians perform on club circuits around the country, usually one after another
on a given night, creating a very competitive atmosphere. Being a solo comedian can be an
鈥渋f-you-win-I-lose鈥 type of career. 鈥淭here are only so many laughs on any given night, and if
possible, you want to get all of them,鈥 wrote one regular at a comedy club in New York. Solo
stand-up comics face a significant level isolation. At the same time, studying fellow performers鈥
material, style, delivery, and presence are facets of the successful comedian鈥檚 life.
Paying Your Dues
Being in dingy nightclubs before an audience of one for unpaid stand-up sets are part of
the aspiring comedian鈥檚 dues. No academic requirements exist, but many performers get
their start in college acting or comedy troupes, thereby gaining some exposure to large audiences.
Stand-up comedians have a more uncertain road than troupe comedians, going from
club to club, writing material, practicing and refining it, and hoping for a break. It is not
unusual for an aspiring stand-up comic to log more than 200 days per year away from home.
Present and Future
Comedy has historically been the mirror of every age, from the Greek playwright
Aristophanes to the sarcastic drollery of Dennis Miller. Every known culture has its own form
of comedy, and the smile and the laugh seem hardwired as responses in the human brain.
Comedians have been in entertainment ascendancy of late, with Adam Sandler making
about $20 million on each of his films. But, in general, comedians should expect to face the
same odds in the career tomorrow that they face today.
Quality of Life
PRESENT AND FUTURE
Progression in this profession is unpredictable, but for the majority of comedians,
it follows the scenario outlined here. Two-year comics are just developing their
comic personas and getting their feet wet on the comedy circuit. They have just
started writing their material and experimenting with different styles. They go to open-mike
nights to try out new material, get to know the clubs and vice versa, and make contacts with
other comics. The new comic is lucky to get a few bookings. Persistence and confidence are
the key to working at all.
FIVE YEARS OUT
Comedians are skilled self-publicists by this point, and some of them even have
agents. After five years in the profession, comics know clubs around town and
around the country and have, hopefully, performed at many of them. They could
even be regulars at one or two clubs. Club managers know them and their style, and they
know where their material will be welcomed and where it鈥檚 not appropriate. Other comedians
have seen their work, and they have probably auditioned for a few comedy troupes and
maybe even started working with one.
TEN YEARS OUT
Comedians who have lasted 10 years in the profession have attained a measure of
success in their field and probably have a strong regional following. They have had
many opportunities to show their work, possibly including TV specials and performing
for specific groups, such as political associations or college clubs, depending on
their material. They have probably worked for a comedy troupe, at least for a while.
Comedians keep seeking out new venues for their performances, writing and developing new
material, and hoping for a big break.